They Live! Geo-Social and the Rise of Embedded Messeging

"Buy my book, F**k Irony: The Art of Shepard Fairey"

If you aren’t familiar with John Carpenter’s They Live, all you need to know is that it’s about a working class guy stuck in a rut during the shit economy of the 1980s.  He stumbles  on some magic sunglasses that show him that the world is filled with nothing but subliminal messages that cause the population to put up with their terrible leaders and buy stuff.

Then Shepard Fairey swiped the film’s catch phrase, “OBEY”, and South Park used Piper’s epic fight with Keith David as inspiration for the incredible Cripple Fight of season five.

In short, the film is pure genius.

Channel 4's Street Tag app

Luckily, marketers and politicians don’t have the technology to cast subliminal spells over an entire population, but the technology that allows users to place messages anywhere and pass them on to anyone with the right gear is growing at an exponential rate. The advent of  mobile augmented reality apps, geo-tagging capabilities and social media means that consumers, and marketers, can embed messages in a space somewhere between the real world and the digital one, available for viewing with any number of “magic sunglasses”. Continue reading

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DC Comics Writes Radio Ad, Forgets to be Interesting

Last Friday, Rich Johnston of Bleeding Cool posted and commented on a radio script written by DC Comics, and wasn’t too kind in the process:

This is the approved DC radio ad that retailers can run in their local area, and get 75% of the costs back. Shame it’s so very very dire…

Some of you know that for most of my working life I was an advertising copywriter, and for most of that career I specialised  in radio.

Well, this is an awful ad.

Action Comics #1, June 1938

The ad is part of DC’s initiative to bring in new and lapsed readers through a revamping of their entire line of comics. DC’s “New 52″ consists of the publisher’s entire portfolio of 52 comics shipping in September, all complete with Issue #1 stamped on the cover. Even long running titles Detective Comics and Action Comics, which will reach final issues 881 and 904 respectively, will be getting new numbering. “New 52″ represents a departure from most previous storylines and character continuity in much the same way Casino Royale rebooted the James Bond universe, but Judi Dench got to stick around as M. Some things are different, some things are the same. Kind of.

It’s comics and it’s complicated.

Action Comics #1, September 2011

DC Comics characters have no lack of brand visibility, but most of it is tied up in products developed by the publisher’s parent company, Warner Brothers. While the fortunes of the comics industry have waned in the last fifteen or so years, many of the characters have flourished in movies, video games, cartoons and collectibles. With a Zack Snyder-directed Superman reboot heading to theaters and Christopher Nolan wrapping up his monstrously successful Batman series, DC Comics is looking to recapture some of that magic, bringing consumers back to the characters’ roots.

And so we come to the ad… Continue reading

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AotD: Saatchi LA Venza Ad Highlights Digital Gap

What better way to showcase a sporty SUV-crossover than by taking the piss out of the younger generation’s fixation on digital as the entirety of social life. Funny and poignant, Saatchi LA’s Toyota Venza ad picks up this Ad of the Day.

Client: Toyota
Agency: Saatchi & Saatchi LA

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Ad (technique) of the Day: Brilliance Denied!

I just spent an hour on my novel new idea of using the principles of zoetrope animation on subways to create animation from the point of view of the rider. An hour of diagrams and math and then what does Wikipedia reveal to me?

A NYC visual artist thought of it in 1980.

Excellent.

Anyway, here’s some spectacular subway animation:

Subway Zoetropes (wikipedia)

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When Spec Advertising Goes Bad

The Case Against (Bad) Spec Advertising

Spec advertising can be great. It can fill out a young designer’s portfolio and help get a foot in the door. Or, it can help land an agency a new and unexpected client. Or, it can smuggle itself past the brand gatekeepers and guardians and into advertising infamy.

Cannes Lion judges are currently wiping egg off of their collective face over a recent Lion winner, a racy ad for Kia, which was revealed to be unsolicited and unappreciated spec work by Brazilian agency Moma Propaganda. Oops! Good thing this never happens…

Well, maybe it’s worth checking out the perils and pitfalls of speculative work and how it affects authorized strategy. Continue reading

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